Rani Sati mandir is one of the most famous & rich temples in Rajasthan. It is situated in the town of Jhunjhunu within shekhawati region. It has a history of more than 400 years and is a testimony to feminine bravery and spirit which certainly captures the attention of many tourists. This temple is also famous for its magnanimous and rare paintings. It is also one of the oldest existing Indian pilgrimages which has a known history behind it.
A special Pujanutsav (festival of prayers) is held on the occasion of Bhado Amavasya (no moon day). This day the temple is crowded with devotees in huge number. People from all over the country visit this place to offer their puja (prayers) to Goddess Rani Sati Devi. The most remarkable feature of this famous temple is that it does not hold any painting or statue of either female or male gods. Instead a trident depicting power and force is worshipped religiously by the followers. However one can surely find a beautiful portrait of Rani Sati Devi in the pradhan mand. The temple consists of colorful wall paintings and is structured with white marbles.
In the complex of Rani Sati temple there is also Hanuman Temple, Sita Temple, Ganesha Temple and Lord Shiva Temple. The regular ‘prasad’ distribution takes place after every ‘aarti’. There are also arrangements made for the meals in day time on payment basis. The temple is situated within city limit of Jhunjhunu. It is beautiful and intricately crafted, not to forget the golden pot at the top of the temple.
History of Rani Sati Temple
It is the firm belief of Marwaris from Rajasthan that Rani Sati is an avatar of Maa Durga. The Marwari society of Rajasthan as well as from all other part of the country worship Rani Sati dadi daily in their houses.
The history of Rani Sati starts from the time of Mahabharata. It is believed that Rani Sati was Utera, wife of Abhimanyu (son of Arjun). When Abhimanyu was killed in the battlefield, Utera decided to be Sati along with Abhimanyu’s funeral. However amidst all this Lord Krishna came to her rescue and pursued her against her decision. He also granted her wish of being married to Abhimanyu and her desire to be sati in her next life.
As granted by Lord Krishna, in her next life she was born as the daughter of Gursamal in the village of Thukaye in Rajasthan. She was named – Narayani. Abhimanyu took birth in Hissar as son of Jaliram and named – Thandhan. Thandan and Narayani got married and were leading a peaceful life. He was in possession of a beautiful horse which was being eyed by the son of king of Hissar from quite some time. Thandan refused to hand over his precious horse to the king’s son. The king’s son then decides to forcefully acquire the horse and thus challenges Thandan for a combat. However Thandan fights the battle bravely and kills the King’s son instead. The enraged king thus kills Thandan in front of Narayani in the battle. Narayani symbolic to female bravery and power fights with the king and kills him. She then commanded Ranaji (the caretaker of the horse) to make immediate arrangements for her to be set a blazed along with her husband’s cremation.
Ranaji playing a vital role in fulfilling her wish to be sati with her husband is then blessed by Narayani that his name will be taken and worshiped along with her name and since then she is known as Rani Sati.
Monuments in Shekhawati, The realm of lovely havelis, harking back to the yester years, epitomizes the beauty of Shekhawati – a region that comprises of Sikar, Jhunjhunu and Churu. It is a major landmark tourist destination of colourful Rajasthan. Once the bastion of Rao Shekha, this magnificent land, located on the North of Rajasthan, derives its nomenclature from the former. Shekhawati Tourism is a tourist's paradise. The land is laced with innumerable beautiful havelis or grand mansions that are guaranteed to capture one's imagination. It is a haven for a true connoisseur of art and architecture. A riot of colours encapsulates the spirit of this vibrant landscape. Exquisitely embellished havelis mushroomed during the eighteenth century and former half of the twentieth. Mythology and fauna lies at the very core of this wonderful art. Tales narrating the valour of Lord Rama and the miracles of Lord Krishna unfold on a journey of these marvellous mansions. The region also houses towering forts, baoris, and shrines, besides the ubiquitous havelis.
